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Rock guitarist John Shannon takes you on a journey to improve your rhythm playing. Effecting all facets of rock playing, rhythm is the foundation of quality playing.
Complete course with step-by-step lessons and practice examples.
Course filmed with 6 cameras for the perfect angles.
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Learn all the essential rhythm guitar techniques at a variety of tempos. Also, you will learn advanced techniques like harmonics and tapping to help you learn how to rock hard!
Meet John Shannon and his approach to rhythm guitar. John discusses why he put this lesson series together and what his aim is to bring you.
To get started in his lesson series, John discusses what should be in every rock rhythm guitarist's toolbox. He discusses timing devices like the metronome and things like what amps might be best suited in your own toolbox.
Now that you have your rock toolbox built, it's time to start developing your rhythm playing for rock. In lesson three, John discusses the importance of the metronome and identifies the three tempo zones that you're going to be working in throughout the course.
Lesson four in the rock rhythm series is all about the down stroke. This stroke drives the rhythm home and is a staple for most rock rhythm players.
Lesson five covers the opposite from the down stroke; the upstroke. The up stroke may not be as driving as the down stroke, but utilizing it can create melody and harmony in your rhythm playing and will be fundamental to proper rhythmic strumming techniques.
Lesson six is all about the mighty power chord! John discusses the various ways to create a power chord and espouses their excellence when it comes to rock rhythm guitar.
Palm muting is a powerful tool to help shape and define your tone while playing. It also aids in creating that signature rock rhythm sound.
Previously, John has touched on the power chords and other smaller chord voicings that help cut through the mix and make you stand out. Now it's time to look at bigger, more full-bodied chords that stand apart.
You've looked at the upstroke and downstroke individually in previous lessons. Now it's time to tie the two together and delve in to rhythmic strumming.
Lesson 10 is all about the octave chord shape. This chord shape provides some cool rhythmic flavors, but also presents other challenges. John discusses it and demonstrates it's use in rock rhythm guitar.
We've reached a junction in the series where you've started to develop several different tools. In this lesson you'll start combining them to create more variety in your rhythm playing.
Practice is a cornerstone of being a well-rounded rock rhythm guitarist. As such, John Shannon provides another opportunity to take a look at combining elements you've learned previously.
It's time to start adding more tricks to your bag go rhythm techniques for rock guitar. In this lesson you're going to learning the pull-off technique and how it can add texture to your rhythm playing.
The next technique in your tool-bag is going to be the counterpart to the Pull-Off and is known as the Hammer-On.
Lesson 15 starts off a focus on altered tuning from standard. To start with, John discusses Drop D. He teaches you how to get into the tuning, how it alters your playing and then how to get back to standard tuning.
In lesson 16, John discusses muting multiple strings simultaneously. This is done with the palm of the hand and will often be part of the palm muting technique.
In lesson 17, John Shannon uses the multi-string mute technique along with a strumming chuck to help you create a nuanced and rhythmic line.
Lesson 17 is all about open g tuning. This tuning is made popular by bands like The Rolling Stones and their guitarist Keith Richards. John shows you how to get to open g tuning from standard, discusses it's uses and shapes, then helps you get back to standard tuning.
John Shannon takes a now familiar power chord and discusses how to add single notes along with it to create a moving and melodic rhythm line.
It's not time to switch gears and discuss the world of fingerstyle. To get you started, John Shannon discusses and demonstrates the use of the thumb and two fingers for the style.
Now it's time to tackle another aspect of the Fingerstyle technique. In lesson 21 you'll be utilizing the pick and your middle fingers, also commonly referred to as hybrid picking.
Now that you have a basic understanding of the fingerstyle techniques, it's time to apply them in a way that adds texture to your rhythm playing.
In lesson 23, John Shannon discusses the use of a delay pedal and how to integrate it into your rhythm playing.
Another rhythm element that John Shannon imparts is the ability to move chords while ringing open strings. He discusses the technique in this lesson.
In lesson 25, John Shannon discusses the uses of harmonics in rhythm playing.
Bringing in some lead elements can really spice up your rhythm playing. In this lesson, John discusses the use of right hand tapping for rhythm playing.
The use of a metronome is an important aspect in keeping good time. A well rounded rhythm player can also use it in advanced ways to help timing on things like compound meter and triplets. In this Lesson John shows you how.
Rock Rhythm guitar sometimes has a characteristic stab and mute effect that is used. In lesson 28, John Shannon discusses and demonstrates this technique.
In lesson 29, John Shannon talks about ghosted notes that are typically slid away from and carry no duration value.
Taking a page from the previous lesson, you'll once again be sliding. This time using a finger slide to create a smooth, slinky effect.
Made popular by rock legend Pete Townshend, the arean chord not only cuts through the mix, but it adds style and flair to your live performances. For the final lesson of this series, John shows you how to create it.
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Well explained, good lesson material.
Easy to understand. Good teacher!
Good lesson, good length of video.
I always come here when I need something new and fresh. This has been a great course so far, and I look forward to the rest of the lessons.
Great teacher, easy to understand just what I needed. Thanks co
New ideas for rhythmic fingerpicking
The introduction was great. The teacher was very precise in what to expect from the course, but more than that, he spelled out a lot the issues that I am having with tempo.
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