Learn how to use modes in your playing with Nomad's simple 3 step process! Get the knowledge, apply the knowledge and start playing some sweet solos!
Complete course with step-by-step lessons and practice examples.
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Hearing a guitar player enter in to modal bliss can seem like magic to those who do not yet have the tools use the modes in their own playing. Modes have been mystifying guitar players of all ages and styles for too long! Nomad's Modal Magic Show will detail a simple 3 step process that, combined with hard work, will have you playing modes in a musical way... And you'll know what you are doing! Once the modes are understood and applied, the magic facade falls away leaving you with simply awesome guitar playing It's not magic after all!
The modes may look and sound like magic, but once you have the tools to practice and apply them, they actually become quite approachable. Nomad demystifies the modes in this extensive and fun series. Learn how to apply the modes in any style and in any song!
Before getting too deep into the modal mysteries, Nomad lays down some groundwork. Before you can use the modes, you need to know the notes on the fretboard! Nomad offers up a simple drill to get everyone on the road to note memorization!
Add sharps and flats into the note learning drill. Take it slow, and take your time! Learning the notes on the fretboard will pay great dividends in all areas of your playing.
Get the hands nice and warm before the scales come. When you're warmed up, you think less about the mechanics of playing and more about the notes and the music.
Take on this finger twisting warm up after trying "The Chomp". Add a few more warm ups of your own and then...on to the modes!
Further laying the groundwork for modal magic, Nomad introduces a way to practice position playing that includes going over the scale, the chord, and the arpeggio. When you're approaching an area of the fretboard, think "S-C-A"!
Now that you've practiced your scales, chords, and arpeggios in open position, it's time to apply "SCA" down the entire fretboard in the key of C. This way of looking at the notes you play will open up many new phrasing ideas as you tackle the modes.
Before you scale modal mountains, you need to know the patterns! Nomad takes you through basic modal terms and theory and then teaches each modal pattern from a 6th string root.
Now apply the "SCA" method you learned with the CAGED major scale patterns to the modal patterns from the last lesson. This is a great way to look at different areas of the neck in a modal context!
You can only sound so cool with the basic major and minor sounds. Nomad invites you to be just a little cooler by applying the "SCA" method and modal positions to major 7th chords and arpeggios!
Now take the same concepts you've been practicing with the modal patterns based on the 6th string and apply them to patterns based on the 5th string. Oh, what fun!
Breaking out of box patterns is difficult for any guitarist at one point or another. Learning these two string modal runs will help you break out of the box and fly around the neck!
Nomad finishes demonstrating and explaining the two string runs on the lower two sets of strings. He offers advice on practicing and stresses the importance of naming your notes while you play!
Take the two string runs and apply them in three octave sequences! This is another great way to break out of the box as well as familiarize yourself with the notes on the fretboard!
Nomad introduces this new, challenging exercise in which you take each mode in series and play its corresponding arpeggio in three octaves.
In this next mini series of lessons, Nomad explains how to play the modal patterns in all of the diatonic intervals! In this lesson, we begin with 3rds.
The fingering of this sequence is tricky! Nomad presents the modal patterns played in diatonic 4th intervals.
We're working our way up! There are bigger gaps and more stretches here. Make these drills count so that you are dexterous and ready to go when the flood of musical backing tracks comes!
The 6th interval is one of the most musical and sweet sounding note relationships to be played on the guitar. Combine the 6th with superb modal playing, and you'll come up with some amazing stuff! Get the patterns under your fingers with this lesson!
This won't be fun, but it will be useful! The 7th interval is awkward and weird sounding at times, but work it into the rest of your playing, and you'll add some nice unresolved spice to your lines.
This is the last lesson of its kind in this series...We promise! There are not as many notes in this exercise, but there are more awkward stretches and string skipping situations. Get this one down and then comb over the last series of lessons. Combine them for one large practice routine!
If you've made it this far, CONGRATULATIONS! You've graduated from the realm of modes in series to modes in parallel! Learn how the two universes are related and start digging into the musical nature of each mode!
Continuing in the introduction to your new parallel universe, Nomad shows you the theory behind going from a basic major scale to the two most common minor modes.
Each mode has 'key tones' that give the mode its signature sound. Nomad continues to explore these notes in some of the stranger sounding modes.
Just like modes have unique scale tones that define their sound, they also have a chord harmony structure that defines them. When can you play a minor i chord and then go to a dominant IV chord?...when you're playing a Dorian chord progression! Nomad dives into each mode and its respective harmony so that you can identify and write modal chord progressions!
This is where it all comes together! Commit the 3 simple steps shared in this lesson to memory and then practice applying them. You'll be well on your way to modal bliss in no time!
Ok! You've graduated into the realm of real modal understanding! Now it's time to play some real modal music. Cut your teeth on tracks from the first two modes of the major scale: Ionian and Dorian. See how Nomad applies all the aspects of this course over these tracks.
Nomad walks through the three 'magical' steps while working with a Phrygian track. Watch the b2!
Ahh, the ethereal and slightly spooky nature of Lydian... Move right along with Nomad's spoon feeding session with a track and examples for each mode. Pour in to these because after he works through each mode with you, he passes the baton to you in a series of 'modal mystery' examples!
Well, maybe their names sound similar, but their tonalities can sound quite different! Ladies and gentlemen...Let's hear it for Mixolydian! Get jazzy and groovy with this example.
'Tis one of the most recognizable sounds in guitar history, but with your new found modal knowledge, you are better prepared than ever to tackle this track! Take what you will from Nomad, and then solo away!
The uncommon and just plain strange sounding mode finishes off this segment of the series. You won't use it everyday, or even every month, but knowing how to apply it will round out your modal mystique and make you a better player!
And now...YOU get to put all your modal knowledge to work in these last lessons! Nomad will play a track and jam over it, and YOU will get out your scribble pad and figure out what is going on modally. At the end of each lesson, you can check your work against Nomad's explanation. Have fun!
Are you warmed up yet?...Good! You'll learn NOTHING about the track Nomad is to play over. Instead, you must listen and analyze as he plays. See if you can figure out all the modal twists by the time the track ends. Loop it if you have to!
They're getting trickier! Continue to test your own modal mind with this third example. See how many times it takes you to get it without listening to Nomad's explanation!
This is the final test (but not the final lesson) in Nomad's Modal Magic Show! Figure it out and then make up your own modal jam to the provided backing track!
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"Don't fret" lmfaooo
great idea for exercises
Nomad is without a doubt a teacher, a mentor, a professor, a PhD; able to provide understanding of a difficult subject. Thank you
should i stick with this and practice for hours or should i move on?
You are a naturally gifted teacher-brilliant