This helpful chord chart, tablature, and image will help you master the G7 chord in no time. The G7 chord is fingered in a different fashion than G major, so switching back and forth between the two is recommended.
This is an "open" chord voicing of G7 with B, the third of the chord, in the bass.
Another version of the G7 chord.
This is an alternate way to finger the G7 chord.
This is an alternate version of the G7 chord which adds another F note on the D string.
This is a rootless voicing of a G7 chord.
This G7 chord utilizes the shape of the basic "open" C7 chord. However, both the low and high E strings are omitted from this shape.
This G7 chord voicing combines a common movable shape with the open B string. This voicing is based on the shape of the "open" B7 chord.
This voicing for G7 utilizes a movable chord shape.
This voicing for G7 utilizes a common, movable barre chord shape.
Notice how the flatted seventh note is added to the B string of this G7 barre chord voicing.
This is a movable, four-string voicing utilized to play a G7 chord.
This voicing for G7 is commonly used in the jazz genre.
This three string voicing for G7 is commonly used in the jazz genre.
This is the Baby G7 chord.
The fifth string is omitted from this G7 voicing
The third of this G7 chord is played in the bass.
The fifth of this G7 chord is played in the bass.
This G7 chord is played in first inversion.
The root note is omitted from this voicing of G7. This chord is played in first inversion.