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Growing up a few miles from New York City, Pete got his first bass at thirteen and quickly realized his deep love of the instrument. When Pete's early bass mentor/idol, Dan Binggelli, passed away at the age of nineteen, Pete decided to dedicate his life to pursuing a career in music.
Pete obtained a Bachelor of Arts in Music from the prestigious Northwestern University, studying jazz and classical in school while playing rock and pop gigs around Chicago. The day after grad... (more)
Pete currently offers 30 guitar lessons at JamPlay, with 30 intermediate lessons.
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Is your bass playing stuck in a rut? Do You find yourself playing the same licks just because they “work"? This course will introduce ways of approaching bass playing and musical theory that you may not have thought of before. Because of the layout of the bass fretboard it’s very easy to get stuck in the “pentatonic box” and still be a functional player. Pete will not only show you new ways of approaching scales and arpeggios, but also exercises on how to play those same old licks in a new musical way by using dynamics and melodicism. He’ll cover technical exercises for both left and right hands, using recording as a learning tool, and even discussions about music theory and the philosophy of bass playing. For every note you play there are many different factors to not only consider but also control, and this course will leave you with a deeper mastery of your instrument that goes beyond mere “chops.” You'll soon learn the difference between "playing the bass" and being a "bass player"!
Pete gives an overview of his series - "The Art of Musical Bass Playing".
How you approach a note says a lot about your personality as a bass player. In this lesson, Pete shows us the various ways to approach note, so that you can add them to your arsenal!
Now let's take those articulations and apply them while playing the major scale!
We've looked at the major scale, now it's time to apply the same articulations to the minor scale.
Being able to apply these articulations to your arpeggios is a great tool to have in your tool box. In this lesson, Pete explains major arpeggios, then shows us how to apply what we've learned so far.
We've looked at major arpeggios, now it's time to move on the minor arpeggios. Again, these articulations will expand your bass playing took kit!
Now, Pete starts off a new section in the series that focuses on the dynamic aspect of the plucking hand. In this lesson, we focus on controlling our volume and dynamics while using our fingers to pluck the notes.
Of course, not only do we need to learn to control the volume with our fingers, but with a pick as well. Pete uses a simple recording technique to analyze how we're really doing with this!
Ok, now it gets a little trickier. Let's work on the volume control using our fingers, but while playing a scale!
Controlling your scale volume with a pick presents it's own challenges! Stick with Pete here, and he'll give you some great pointers for getting a grip on the pick, and your volume.
The path to a two octave scale is not always clear on the bass. In this lesson, Pete shows us the most effective way to jump positions to achieve the maximum range on your instrument.
We've looked at the two octave major scale, now it's time to take a look at the two octave minor scale.
You may think a chord is what it is no matter what. But in this lesson, Pete shows us how to change the feel and mood of a chord by changing the root note over certain chords.
Pete dives further into changing up the root note on certain chords to affect the mood and feel of a chord.
Modes... the very term can be off-putting. In this lesson, Pete eases our fears by starting with the Mixolydian mode; showing us just how useful it really is!
After mixolydian, the dorian scale is one of the most used modes for bassists. Here Pete goes into what makes up the dorian scale, and it's tonality.
You can do bends on the bass guitar? Who knew! It's certainly not as common as it's 6 string counterpart, but bending on the bass can add a wonderful piece to your expressive toolkit!
The blues scale is a great scale to know to get some colorful notes into your playing. Pete goes over the scale for us, and even shows us how to incorporate bends into it!
Bending requires some skill at making sure when you arrive at your target (bent) note, that it is in tune! In this lesson, Pete shows us how to use a tuner to analyze that aspect of your playing.
Now that we've covered a good bit about notes, chords and scales, it's time to get into rhythms and counting. An important aspect of every musician's playing!
Playing with the metronome can be super helpful. Another tool that Pete gets into in this lesson, is analyzing your playing while using the metronome!
In this lesson, Pete discusses triplets.
Now that we've taken a look at the basics of triplets, it's time to apply them over a scale.
Now to put the triplets to a practical application: The Swing Feel.
This lesson is designed to maximize the range of your instrument. Learning where and when to shift positions is the key to full neck scales!
Now Pete demonstrates the full neck scale using a minor scale.
Sometimes the drummer inexplicably drops out of the song! What are you going to do? Pete gives us some pointers on how to deal with this situation.
In this lesson, Pete discusses what to do when the kick and the snare drum fall on beats other than the usual.
Taking the beat displacement idea a little further: Eighth Note Displacement.
Then there are the drummers who try to confuse you! Pete gives us some advice on how to deal with this.
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