Rob Garland

Rob Garland

From Rob Garland's Eclectic Trio

Rob Garland grew up in England, worked in a diverse array of bands and later played hundreds of gigs at festivals and clubs in the U.S. with his band The Blue Monks, opening for artists such as B.B. King, Booker T. and Chuck Berry. He now lives in Los Angeles, where he continues to write and record his original music, ranging from jazz-fusion instrumentals to acoustic vocal songs, available to stream/download. He regularly performs at clubs such as The Baked Potato, Alva’s ... (more)

Rob currently offers 49 guitar lessons at JamPlay, with 49 intermediate lessons.

Rob Garland's contribution to JamPlay

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Blues

Essential Blues Lead Concepts

Finding yourself in a pentatonic rut? Or maybe you have a few pentatonic scales under your fingers but you don't know quite what to do with them. Rob Garland offers the tools you need to enhance your solos within blues-style playing!

1

Introduction to ' Essential Blues Lead Concepts'

Rob Garland introduces us to his new course, 'Essential Blues Lead Concepts'!

3:17 Runtime

0.0 Difficulty

2

CAGED Chords Review

Before we dive into the blues, Rob gives us a quick lesson on the chords we will be using throughout this course by referencing CAGED Chords.

17:17 Runtime

1.5 Difficulty

3

The Major Pentatonic Scale (CAGED)

Now that we are all freshened up with our CAGED Chords, let's now look at the major pentatonic scale and how we will apply this scale to the blues.

19:28 Runtime

2.0 Difficulty

4

The Major Pentatonic On The I Chord

In this lesson, we take a look at how we will incorporate the pentatonic scale into the 12 bar blues!

16:56 Runtime

2.0 Difficulty

5

The Minor Pentatonic Scale On The IV Chord

Ready for the next tool for your blues toolbox? Rob runs through the minor pentatonic scale and how putting it over the IV chord is going to us three chord tones in the IV chord.

18:39 Runtime

2.0 Difficulty

6

Blending Major & Minor Pentatonic (I & IV Chords)

In this lesson, let us take all that knowledge we acquired about the major and minor pentatonic in the previous lessons and put them together!

19:03 Runtime

2.5 Difficulty

7

The V Chord

Now that we have the I & IV chords under our fingers let's jump into the final chord, the V chord.

17:48 Runtime

2.5 Difficulty

View this Lesson
8

Identifying Chord Tones On The I, IV & V Chords

In this lesson, we move away from the pentatonic scale a bit and focus on targeting some chord tones by looking at the chord voicings within the I, IV & V chords.

20:48 Runtime

2.5 Difficulty

9

Blues Arpeggios: Visualizing Chord Tones

Now that we have some chord tones identified, let's get some arpeggios under our fingers.

16:49 Runtime

3.0 Difficulty

10

Blues Arpeggios: Creating Phrases Based On Chord Tones (5th position)

Let's take the ideas from the previous lesson and expand on them. Rob takes the arpeggios we have just learned and shows us how to turn them into phrases!

25:33 Runtime

2.5 Difficulty

11

Introduction To The Mixolydian Mode (CAGED Dom7)

In this lesson, Rob introduces us to the Mixolydian mode and how this scale is a great choice for blues-based licks.

21:03 Runtime

3.0 Difficulty

12

Mixolydian Over The I Chord (A7)

We have our A Mixolydian mode under our fingers, now what? In this lesson, Rob shows us how to use it to play over the I chord of the blues!

16:44 Runtime

3.0 Difficulty

13

Mixolydian On The I, Dorian On The IV - 5th Position

Moving on to the IV chord, Rob shows us how we will be using the Dorian mode over this chord.

18:24 Runtime

3.0 Difficulty

14

Mixolydian On The I, Dorian On The IV - 9th Position

Taking the idea from the previous lesson we are just simply going to take it from the 5th position to the 9th position.

15:03 Runtime

3.0 Difficulty

15

The Mixo-Pentatonic

Ready for another scale for your toolbox? Rob introduces us to what he refers to as a "mini-scale" - The Mixo Pentatonic.

15:25 Runtime

3.0 Difficulty

16

CAGED Natural Minor/Pentatonic Scale

We've covered a lot of ground when it comes to dominating 7 blues but now we are going to switch gears and look at the minor blues and the scales that they are comprised of.

23:28 Runtime

3.0 Difficulty

17

Minor Blues 12-Bar in the Key Of Bm - 7th position

In this lesson, we are going to unpack the B minor blues form.

21:39 Runtime

3.0 Difficulty

18

B Minor Blues (9th Position) - The A.K. Box & Extensions

We shift up to the 9th position in the B minor blues form in this lesson, Rob also discusses the Albert King Box.

20:09 Runtime

3.5 Difficulty

19

“Stormy” Blues 12-Bar Form in G (3rd Position)

Ready to kick things up a notch? Rob dives into a more complex chord progression based on Stormy Monday-style blues.

27:03 Runtime

3.5 Difficulty

20

“Stormy” Blues 12-Bar Form in G (7th Position & The B.B. Box)

Let's take the form from the previous lesson and move that one up to the 7th position, Rob also incorporates the B.B. King box!

23:31 Runtime

3.5 Difficulty

21

8-Bar Blues In C (5th Position) Chord Tones/Arpeggios

Rob discusses the always fun to play, 8-bar blues in the 5th position for this lesson, noting that it has a ragtime feel to it and we have to hone in on targeting those chord tones!

24:52 Runtime

3.5 Difficulty

22

8-Bar Blues In C (8th Position) Chord Tones/Arpeggios

Taking everything we just got under our fingers in the previous lesson, we move it on up to the 8th position.

18:46 Runtime

3.5 Difficulty

23

Fusion Blues (D9sus4)

Rob introduces us to Fusion Blues for this lesson, focusing on 9sus4 chords we are going to get some dreamy sounds!

17:06 Runtime

3.5 Difficulty

24

Bb Jazz Blues (6th position) Chord Tones and Arpeggios

Are you ready for the final jam for this course? Rob discusses the Jazz Blues form in the key of B-flat.

27:06 Runtime

3.5 Difficulty

25

Bb Jazz Blues in 11th position and BB Box & Chord Tones

In this final lesson, Rob takes the Jazz Blues form we just learned and moves it up the neck to the 11th position, and throws in the B.B. King box for that extra flair!

20:07 Runtime

3.5 Difficulty

Blues

Essential Blues Chord Voicings

Some guitar players when playing the Blues tend to get stuck in the same handful of barre chord shapes. If you've found yourself in this group you've found the right course to help you leap over that hurdle! In this expansive series, Rob Garland will help you unlock the "cage" in your playing so you'll have the ability to play inventive chords all over the neck making it easier to improvise in real-world situations!

1

Introduction

Rob introduces us to 'Essential Blues Chord Voicings'!

4:33 Runtime

0.0 Difficulty

2

Unlock the Cage: C7

For this first lesson, let's grab our guitar as Rob gives us an outline of the Caged System focusing in on the dominant 7th chords.

28:08 Runtime

2.0 Difficulty

View this Lesson
3

Unlock the Cage: G7

Now let's take that same idea and just implement the concept to a different chord, the G7 chord.

18:41 Runtime

2.0 Difficulty

4

C7 - 12 Bar Blues Shuffle (8th Position)

Now that we have unlocked the cage, lets put it to use within the 12 Bar Blues!

20:53 Runtime

2.5 Difficulty

5

C7 12 Bar Blues Shuffle (3rd Position)

In this lesson, Rob takes the same concepts from the previous lesson and applies them to a different position on the neck.

14:39 Runtime

2.5 Difficulty

6

A7 Funky 12-Bar Blues (2nd position)

We move to the key of A7 for this lesson, where Rob breaks down this 12-Bar Blues example with a quick funky four.

21:01 Runtime

2.5 Difficulty

7

A7 Funky 12-Bar Blues With 9th’s (5th position)

Taking the concept for the previous lesson we move to a different position as well as adding a 9th to our dominant 7th chords.

20:35 Runtime

2.5 Difficulty

8

Unlock The CAGE: Am7

Let's move on to some minor blues, Rob starts us off by unlocking with cage chords for minor chords in the key of A minor.

20:39 Runtime

2.5 Difficulty

9

Bm7 Minor Blues 12-Bar (7th position)

Now that we have the caged minor 7th chords under our fingers let's apply them to a minor blues!

21:37 Runtime

2.5 Difficulty

10

Bm7 Minor Blues CAGED Chord Extensions (7th position)

Let's take the concepts from the previous lesson and build on that a bit by adding some extensions.

27:27 Runtime

2.5 Difficulty

11

Bm7 Minor Blues 12-Bar DGBE (2nd position)

We continue working on the B minor 7 12-Bar blues, but we move to a different position on the neck with different chord shapes.

20:18 Runtime

2.5 Difficulty

12

Bb7 Funky 12-Bar-Blues - Using 13th’s (6th position)

Rob walks us through a B flat 13 Blues with a funky shuffle tone.

23:54 Runtime

3.0 Difficulty

13

Bb13 Funky 12-Bar Blues (6th pos.) Tritone Substitution

Let's build upon what we learned from the previous lesson and add another component to our music toolbox with Tritone substitutions.

18:24 Runtime

3.0 Difficulty

14

6/4 G7 “Stormy” Slow Blues Form CAGED 7th’s (3rd position)

For this lesson, Rob talks us through a slow blues, with the form based on the style of T-Bone Walker's Stormy Monday.

15:03 Runtime

3.0 Difficulty

16

6/4 G7 “Stormy” Slow Blues Form CAGED 7th’s (8th position)

Rob gives us some real-world advice when it comes to playing in a jam session as we take everything we learned in the last two lessons and move it to a different position on the neck.

23:28 Runtime

3.0 Difficulty

17

Unlock The CAGE - CMAJ7

For this lesson, we look at the major 7th chords as we unlock the cage once more.

21:39 Runtime

3.0 Difficulty

18

C 8-Bar Blues (Open position)

In this lesson, we'll dive into the 8-bar blues which has some roots in the rag-time tradition.

20:09 Runtime

3.0 Difficulty

19

C 8-Bar Blues CAGED (5th position)

With the 8-bar blues form in C under our fingers let's incorporate some of our CAGED knowledge at the 5th position.

27:03 Runtime

3.5 Difficulty

20

C 8-Bar Blues CAGED (10th position) DGBE

Let's again take everything we learned in the previous two lessons and apply it to a different position on the neck. Rob moves us up to the 10th position.

23:31 Runtime

3.0 Difficulty

21

Using Diminished 7th Chords In The Blues (E7)

Rob gives us some tips on how to use a diminished chord to lead us from one chord to another.

24:52 Runtime

3.0 Difficulty

22

Bb Jazz Blues (6th position)

For this lesson, Rob dives into a Bb 12-Bar jazz blues in the 6th position!

18:46 Runtime

3.5 Difficulty

23

Bb Jazz Blues (3rd position)

We have the jazz blues chords under our fingers lets move them down the neck to learn them in a different position!

21:06 Runtime

3.5 Difficulty

24

Fusion Blues (7sus9)

In this lesson, Rob talks about suspended chords that can be used to produce a jazz-rock or fusion sound.

26:06 Runtime

3.5 Difficulty

25

Fusion Blues - Adding 13sus9 - Subs For Dom7

For the last lesson of this course, Rob expands on the Fusion Blues chords we just learned in the previous lesson by teaching an extension for these chords.

20:07 Runtime

3.5 Difficulty

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