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Veteran Musician Institute guitar instructor brings his 35 years of guitar classroom teaching experience to JamPlay! His playing and perspective on the guitar will help anyone excel in their journey to become a better, well-rounded musician.
Daniel currently offers 54 guitar lessons at JamPlay, with 54 intermediate lessons.
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This series covers scale positions, arpeggios, modes, advanced blues and more! Learn creative, outside the box ways of applying your knowledge and ideas to your improvisation.
Known around the world for his inspirational approach to guitar instruction, Musician's Institute veteran Daniel Gilbert outlines his series on Improvisation.
Learning can be frustrating! Daniel kicks off his series by taking you through 3 basic stages of how to learn, specifically on guitar. He provides a basic lick to illustrate how to apply these learning techniques.
Whether you've practiced a lot of scales or you are new to lead playing, Daniel's presentation of the CAGED major scale patterns is one you won't want to miss! You'll also receive valuable practice advice and a simple chord progression to play over.
Daniel shares and demonstrates a large variety of basic and advanced scale sequences and shares his philosophy behind using them in your playing.
Daniel continues his study of "Scale Basics" by teaching the five natural minor scale patterns. He discusses the similarities and differences between the major and minor scales and takes a look at improvising over a backing track.
Need a fresh approach to one of the most familiar and widely used scales on the planet? Look no further. Daniel teaches the five basic patterns, offers some unique sounding sequences to practice, and improvises over a track to illustrate how to blend sequences with other ideas.
Daniel teaches the patterns of the major pentatonic scale and discusses what makes this scale unique from its minor counterpart. He also shares two unconventional sequencing ideas.
Daniel wraps up his "Scale Basics" mini series by sharing a few ways to make simple scales sound a bit more interesting. Ascend one and descend another. Sequence one and play another one straight through. He talks about using scales in a musical context and demonstrates his ideas over a backing track.
Daniel teaches the "quick change" and "slow change" blues progressions and provides a blues comp idea that he calls "The Chicago". Play with both forms over shuffle and straight backing tracks!
Daniel covers one more chord-based blues comp as well as many riff-based comp ideas for the quick change blues. He then goes on to introduce the 5 positions of the Blues Scale.
Daniel continues his basic blues mini series by discussing bending as a prominent style defining attribute of one's playing. He then takes you in to the possibly less common realm of Major Blues licks and ideas.
Daniel introduces the Hybrid Blues sound and uses two B. B. King "boxes" to illustrate some ways that it can be applied.
Take the 3 distinct blues sounds you've practiced during this "Basic Blues" mini series and learn a really tasty way to apply each sound over a different part of a blues progression. Getting a grasp on the content in this lesson will set your playing apart from the rest of the pack!
Daniel kicks off his "Arpeggios Mini-series" with the major 7th arpeggios. He teaches the five CAGED shapes as well as some alternate fingerings for a few of the patterns. Then, he demonstrates some of the shapes over different chords and progressions.
Learn the minor seventh arpeggio shapes and how to apply them over a couple of different chords. Apply these arpeggios over the provided backing tracks.
If you took Daniel's "Basic Blues" lessons, you won't want to miss this lesson on dominant seventh arpeggios! These patterns provide you with a nice 'wide' sound when compared with regular scales and are an essential tool for improvising over modern blues.
Finishing up the last of the seventh arpeggios, Mr. Gilbert teaches the m7(b5) patterns and demonstrates a few conventional and unconventional ways of applying them. Blues players, this lesson will rock your playing!
Taking all of the arpeggios learned so far, Daniel takes you through two chord progressions and demonstrates many ways to apply the patterns musically over backing tracks.
Saving the three note arpeggios for later in his series was a strategic one. They are actually harder to play! Once you have the seventh arpeggio shapes down, start getting these shapes in your fingers!
Daniel begins by teaching the basic CAGED minor arpeggio patterns and then shares an etude that provides a beautiful musical context with which to apply some of the shapes covered so far.
Daniel teaches the fully diminished 7th arpeggio shapes and explores several ways of applying them over chords and progressions we use every day.
In this last installment of his arpeggio mini series, Daniel teaches the augmented patterns. As usual, there is a backing track provided so that you can, using Daniel's insights, practice making music out of these peculiar devices.
Modes are generally a source of mass confusion for many guitarists. If you're new to modes or struggling to apply them, Mr. Gilbert's mode mini series is for you. In this lesson, learn the Dorian patterns, what makes this mode unique, and apply it all over a backing track.
Apply Daniel's same easy method for learning the modes to the Phrygian mode. Daniel outlines the scale patterns and teaches some short musical phrases that help drive home the unique nature of the scale. He demonstrates everything over a backing track.
Daniel teaches the CAGED Lydian patterns, some tasteful phrasing ideas, and explores some chords and progressions that are appropriate for the Lydian mode.
Being one of Daniel's favorite sounds, he takes extra care in explaining and demonstrating the Mixolydian mode. Learn the patterns, some musical phrases and put it all together with a backing track!
Daniel wraps up his mini series on modes by teaching you how to play over two different modal backing tracks. Learn how to switch between modes and keys and apply scales as well as arpeggios.
Welcome to Daniel's "Advanced Blues" mini series. This is an incredibly interesting lesson about how arpeggios and scales in different keys relate to the A7 chord. If you like your blues with a bit of "outside" flavor to it, learning this material is a must!
Daniel explores some conventional and unconventional ways to use triads over an A7 chord and an Am7 chord. When added tastefully, triads really spice up the old blues and pentatonic scales.
Sticking with the 12 bar form, Daniel looks at different chords that can be used in place of the more traditional blues. He then dives deep into utilizing modes as a form of improvisation over the blues progression.
Put it all together with this monster modal blues beast and Daniel's series finale. If you've been following Daniel's series and practicing diligently, this is your test... your chance to reach further... your chance to make it all come together!
Daniel now takes this series to the next step. Here he explains where this series will take you in your improvising techniques.
Daniel explains some practice techniques that will enable you to improvise over a key change of a whole step.
Learn some practice techniques that will help you improvise over two different key centers that are a minor third apart.
This lesson is all about intervals, specifically switching between keys that are a major third apart.
In this very detailed oriented series, Daniel now discusses some unique ways to use the A minor scale to you improvisational advantage.
Here, Daniel covers ii-V-I progressions and explains some scale choices that can be used when improvising over them.
Still sticking within the ii-V-I progression, Daniel delves much deeper into the scale options available when improvising a solo.
Daniel will mellow things out by demonstrating how to play over ii-V-i progressions in minor keys.
This lesson diverts into more of a chromatic direction. Learn how to incorporate basic chromatic ideas over the ii-V-I.
Daniel Gilbert utilizes 3 string combinations, scales, and right hand techniques to demonstrate how chords are built and where they can be built within the full fret board of your guitar.
Daniel introduces his series on how to build common chords using 3 string combos, scales, and right hand techniques. This series will allow you to build a chord anywhere on the fretboard by understanding the theory behind each chord type.
It's time to start digging into Daniel's series on building chords. He demonstrates the first step in building chords by using the 3-2-1 strings with triad forms. Daniel also breaks down the theory behind these triads.
Moving right along with the same concept of the last lesson, Daniel now discusses triads on the 4-3-2 strings.
Lesson 4 features triad techniques on the 5-4-3 strings. Like the previous lessons, Daniel provides a musical track to play along with.
To round off the triads, Daniel demonstrates the 6-5-4 string combinations.
Combining triad combos can be a very useful tool when building chords. Daniel breaks down the first few steps that can help open this subject up for better understanding.
As Daniel likes to say, "if you know where something is, you know where it isn't." Here, Daniel applies this idea while demonstrating some unique ways to dress up triads.
Now that you have learned theory behind building triads, Daniel now demonstrates how to apply these ideas musically.
Daniel explains how to build 7th chords and where they can be applied musically.
The ability to utilize all of the strings is crucial to building your chord vocabulary. Daniel demonstrates how to transfer chord voicings from one set of strings to another.
An inversion is a reordering of the same notes in a chord. Watch this lesson to learn effective inversion options for the chord voicings you have already learned.
Just as the title states, Daniel explains how to build and play dominant 7th chords.
Utilizing the top 4 strings, Daniel will demonstrate how to create unique inversions of normal chord shapes.
Daniel will demonstrate how to utilize harmonization within the same chord structure of a 1-7-3-5 chord pattern.
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