Chris Liepe

Chris is a Guitar instructor at JamPlay.com

Portland native Chris Liepe first played piano, which he pursued until discovering his love for the electric guitar in high school. As a fan of bands like Soundgarden, Collective Soul, and U2, he was inspired to start singing, songwriting, and helping others in their musical endeavors through teaching, co-writing, and album production. After moving to Colorado with his family, Chris began gigging, recording, and teaching in a number of music stores and out of his apartment... (more)

Chris currently offers 295 guitar lessons at JamPlay, with 23 beginner lessons, 152 intermediate lessons, 17 song lessons, 29 lessons in our Artist Series and 74 Lick & Riff Library entries.

Chris Liepe's contribution to JamPlay

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Beginner 23 Lessons

Intermediate 152 Lessons

Artist Series 29 Lessons

Songs 17 Lessons

Licks & Riffs 74 Licks

Biography Read Up

Basic Electric Guitar with Chris

Chris will guide you through the world of electric guitar in this series.

Introduction to Your Electric Guitar

Chris Liepe talks about the absolute basics of the guitar, including tuning, the guitar parts, and proper technique.

23:21 Runtime

0.5 Difficulty

Playing Your First Chords

Chris Liepe introduces you to your very first 2 chords, E and A. Since this is your first chord lesson, Chris also introduces a backing track for you to slowly play along with. Practicing in this manner will give you the feeling of playing with a band. You may be a beginner, but you can still rock out!

28:54 Runtime

0.5 Difficulty

3 New Chords: Complete the CAGED Method

Here in lesson 3, Chris teaches the C, G, and D chords. Once you have mastered the chords taught in this lesson and the previous lesson, you will have learned the CAGED method of remembering open chord shapes. Chris provides a new backing track for you to rock out with. Be creative and have fun with this beginner lesson!

12:22 Runtime

0.5 Difficulty

The Basics to Tablature, Chord Charts, and Musical Notation

Chris is back with his most information packed lesson to date. In this lesson, you will learn how to read tablature, chord charts and musical notation. All of these tools will drastically help you in your journey to learn guitar.

25:38 Runtime

1.0 Difficulty

Introduction to the Concept of Scales

Chris Liepe is back in lesson 5 with an introduction to scales. In this lesson, you will learn how to play up and down simple scale patterns.

10:58 Runtime

1.0 Difficulty

Barre and Minor Chords

In this lesson, Chris introduces minor chords and barre chords.

25:23 Runtime

1.0 Difficulty

Strum Patterns and Time Signatures

Chris Liepe lays down some grooves in this lesson! He provides instruction on rhythmic strumming patterns and time signatures such as 4/4, 3/4, and 6/8.

21:12 Runtime

2.0 Difficulty

All About Intervals

Intervals, Intervals, Intervals! Chris Liepe explains what they are, where they are found, and how to play them in this lesson.

14:07 Runtime

2.5 Difficulty

Intervals Pop Quiz

Sharpen your pencils and grab your guitar. It's pop quiz time. Chris Liepe adds to his beginner lesson series with a quiz on intervals. This is a hands-on lesson that will undoubtedly improve your ears. Test time starts...Now!

15:39 Runtime

2.5 Difficulty

Triads: Everything You Need to Know

Chris Liepe breaks through his 10th lesson with a detailed discussion of triads. Dig in and take these triads for a ride!

24:14 Runtime

2.5 Difficulty

Effect Pedal Mini Series

This lesson begins a mini-series on effects pedals. Chris breaks down routing and how effects work with each other.

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1.5 Difficulty

Effect Pedal: Compression

The compression effect pedal is one of the most misunderstood pedals around. Chris Liepe finally sheds some light on the subject. By explaining all the different options and sounds this pedal can create, Chris will help you decide whether this effect should be included in your arsenal.

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1.0 Difficulty

Gain Stacking with Overdrive and Distortion

Chris Liepe is back with the 3rd installment in his Effects Pedal mini-series. He explains the concept of "gain stacking" by combining an Ibanez Tube Screamer and a Boss DS-1 Distortion pedal.

7:54 Runtime

1.5 Difficulty

Effect Pedal: Delay

Chris Liepe adds yet another lesson to his effect pedal-mini series. Here he covers the delay pedal. This effect that operates on the principles of time and rhythm. Use this pedal to add depth to your sound and to create some insane solos.

19:52 Runtime

1.5 Difficulty

Effect Pedal: Chorus

Chris Liepe quickly demonstrates the chorus pedal with some 80's style licks. This pedal can create a deep and rich addition to solos or add the illusion of multiple guitars.

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1.5 Difficulty

Understanding Key Signatures

Key Signatures! How do they relate to one another? Chris Liepe explains them in lesson 16 of his beginner series. Getting familiar with your key signatures will help pull everything together that has been covered so far in the series.

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2.0 Difficulty

Chord Harmony Basics

Chris Liepe demonstrates how to take a key signature (the set notes within a key) and stack 3rds on top of a root note to form chords. With the help of a modulating backing track, this should be a fun and interactive lesson that will further your music theory training.

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2.5 Difficulty

Technique Basics: Alternate Picking

Chris explains and demonstrates the very basics of alternate picking. He also provides simple exercises to develop the technique in your own playing.

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Technique Basics: Legato Playing

Chris details and demonstrates the fundamental movements and suggested left hand position for legato playing -- specifically hammer-ons and pull-offs. He also provides exercises for developing the technique.

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Technique Basics: Palm Muting

Chris talks about proper palm muting and discusses potential snags when first attempting the technique. He offers a number of exercises and patterns to help palm muting become a part of your rhythm playing.

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Technique Basics: Hybrid Picking

Hybrid picking can add a fresh dimension to your chord and rhythm playing. In this lesson, Chris briefly covers how to get started with hybrid picking and offers two exercises that you can use to apply the technique to your chords.

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1.5 Difficulty

Major Scale Positions in G (Part 1)

Chris talks about what it means to play in position and teaches three of the five "CAGED" major scale positions in the key of G.

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2.5 Difficulty

Major Scale Positions in G (Part 2)

Chris continues in his teaching of the five basic "CAGED" major scale positions in the key of G.

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2.5 Difficulty

Warm Up Techniques

Chris Liepe introduces his way to approaching new way to improve speed and dexterity. In this series you will learn ways to become faster while developing skill and accuracy.

Warm Up Techniques

Chris Liepe introduces his Phase 2 Lesson Series with a lesson on warm-up routines. Here, he teaches ways to improve your speed and dexterity.

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2.5 Difficulty

Rock Guitar with Chris Liepe

Instrumental Rock carries with it many creative aspects both in writing and playing. By the end of this series, Chris will have covered almost everything you will need to know to create and play your very own melodic instrumental rock piece, with emotion!

Rock Essentials Introduction

Chris Liepe introduces his Phase 2 Rock Essentials lesson series. By highlighting specific instrumental rock styles and techniques, Chris will help you become a more melodically creative player.

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3 on a String Scales

Chris Liepe starts off his Rock Essentials series with a lesson on 3 on a string scales. Utilizing 3, 4, and 6 note sequencing, Chris begins to dive into instrumental rock style phrasing and provides several licks influenced by the 3 on a string concept.

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3.5 Difficulty

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Pentatonic Scales, Sequencing, and Lick Ideas

Chris introduces the pentatonic scales as well as some of their basic applications.

19:35 Runtime

2.5 Difficulty

Chord Numbering

Chris Liepe takes some time to explain chord numbering. Understanding how chords are built will only help in your overall knowledge of the guitar.

16:25 Runtime

2.5 Difficulty

The CAGED System

Chris breaks down the CAGED system and its chord chemistry. He covers both major and minor chord forms.

35:06 Runtime

3.5 Difficulty

Sweep Picking

Chris digs into the sweep picking technique. He uses the C, A, and E forms introduced in the previous lesson to help with finger synchronization.

27:15 Runtime

3.0 Difficulty

Introduction to Modes

Chris moves on to the subject of modes. He explains where modes come from, how they sound, and how they are used.

30:04 Runtime

4.0 Difficulty

Modal Pentatonic Scales

This lesson demonstrates how to modify the old trusty 5th fret A minor pentatonic position to make it sound modal.

10:30 Runtime

3.5 Difficulty

Modal Chord Progressions

How do you know which mode to use? There are giveaways with every chord progression, and Chris covers them in this lesson.

17:12 Runtime

4.0 Difficulty

Complete Major / Minor Scale Using Penatonic Scales

Chris demonstrates how to complete the major and minor scale by using pentatonic positions based on the roots of the I, IV, and V chords.

14:52 Runtime

4.5 Difficulty

Melodic Development

Chris Liepe utilizes everything he has taught in the series so far to demonstrate how to create catchy lead lines over a backing track.

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4.0 Difficulty

Implied Tonalities

Chris Liepe delves into the world of implied tonalities. This lesson details how a single arpeggio can be implied over various chordal sounds.

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4.0 Difficulty

Series Introduction Solo Lesson (Composed Soloing)

Chris teaches the solo that was used in the introduction lesson for this series. He uses the solo as an example of how to effectively compose your own solos.

22:09 Runtime

3.5 Difficulty

2 Hand Tapping

It's time to give the right hand hand some work with two hand tapping on the guitar neck.

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3.5 Difficulty

Thoughts on Practice

With so much material out there, what should you focus on? How much time do you spend on a certain topic? How do you progress? How do you measure progress? Chris covers all of these topics in this lesson.

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1.0 Difficulty

Get to Know Chris Liepe

Chris Liepe offers up some insight into his past. Hopefully this lesson will help you further your own goals as a guitarist.

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0.5 Difficulty

Recording and Micing

Understanding the basics to recording and micing your guitar can help you develop as a musician. Gain a grasp on how to create your own personal studio

Introduction and Getting Started

Welcome to lesson 1 of the Recording and Micing series! Here Chris provides some information essential to getting your home studio up and running.

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Setting Up Your Space

Setting up your space for optimal audio recording and play back is key to creating a successful home studio. Chris explains how to create the best possible environment in this lesson.

27:48 Runtime

2.5 Difficulty

Understanding Microphones

Chris demonstrates how microphones work and how to choose the right microphone for a specific application.

12:26 Runtime

1.0 Difficulty

Direct Recording

Chris explains how to successfully record through some direct recording techniques. When done correctly, you can record a clean signal from your guitar with no microphones.

8:33 Runtime

2.0 Difficulty

Electric Guitar / Amp Micing Techniques

Chris liepe unlocks the wonders of micing an electric guitar amplifier. He explains how to find a speaker's "sweet spot" as well as the differences in tone between various common micing techniques.

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3.0 Difficulty

Acoustic Guitar Micing Techniques

Chris Liepe teams up with Jim Deeming to present proper acoustic guitar micing techniques. Chris covers both single and dual micing placements and explains why each position is effective for certain situations.

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3.0 Difficulty

Acoustic Recording Options

With the help of Jim's playing, Chris has rigged up Jim's guitar three different ways and demonstrates the different qualities of sound you can get by recording with a direct line in, micing the amp, micing the guitar, or by combining any one of the three options together to create a crisp and unique sound.

6:18 Runtime

1.5 Difficulty

Layering Multiple Guitar Tracks

With Jim playing 3 different sequences to overdub on top of one another, Chris will record them using 3 different micing techniques with 2 different guitars to create 1 final track.

14:07 Runtime

3.5 Difficulty

Effects Signal Routing

Chris takes a step back from electric and acoustic micing to demonstrate the proper way to route your effects to achieve the best possible sound.

14:20 Runtime

2.0 Difficulty

Direct Guitar Recording (Using a DAW)

Chris uses a Pro Tools session to demonstrate not only how to create a solid lead guitar sound within your home DAW, but how the basic tools and tips that he demonstrates can be applied to any software used.

30:12 Runtime

4.0 Difficulty

Direct Guitar EQ Basics

Chris Liepe reveals the basics of how to properly understand and utilize EQ tools within a DAW to define and enrich your overall guitar sound.

40:17 Runtime

4.0 Difficulty

6 Week Note Memorization Program

Chris will guide you through this 6 week guitar note memorization program dedicated to help commit them to memory.

Week 1: 6th String Octave Relationships

Welcome to week 1 of this 6 week program! This lesson covers all of the 6th string octave relationships found across the fretboard.

14:57 Runtime

2.0 Difficulty

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Week 2: 5th String Octave Relationships

Chris demonstrates the same note memorization technique used in the week 1 lesson. This time around, octave relationships are based on the 5th string.

8:37 Runtime

2.0 Difficulty

Week 3: 5th Interval Note Relationships

In week 3 of this 6 week program, Chris demonstrates how the 5th interval can be used to determine the location of various notes on the fretboard.

8:36 Runtime

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Week 4: 1st and 2nd string Octave Relationships

Chris moves the octave relationship to the 1st and 2nd strings, which will cause you to think backwards to find the correct note.

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Week 5: 5th Interval-Strings 1, 2, and 3

Welcome to lesson 5 in this 6 week series! Chris demonstrates the same 5th interval technique used in lesson 3. This time he applies it to strings 1, 2, and 3.

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2.0 Difficulty

Week 6: Single Note Practice Drill

Welcome to the final week in this 6 week series! Chris demonstrates a great practice tool to apply everything you have learned in this series.

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Expanding Your Rhythm Playing

Chris takes his 6 week series technique into an "Expanding your Rhythm Playing" session.

Week 1: Series Introduction and Theory

Welcome to lesson 1 in this 6 week series on expanding your rhythm guitar playing! Here, Chris introduces you to what will be taught in the series and starts breaking things down in the key of E.

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Week 2: In The Key Of A

In week 2 of his 6 Week Rhythm Guitar Series, Chris breaks down the key of A major.

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2.5 Difficulty

Week 3: In The Key Of D

Week 3 of this 6 week series presents a deeper understanding of the key of D major.

13:45 Runtime

3.0 Difficulty

Week 4: In The Key Of G

Following in suit with the last 3 lessons, Chris explains some rhythm guitar ideas in the key of G.

15:28 Runtime

3.0 Difficulty

Week 5: In The Key Of B

In Lesson 5 of this 6 week series, Chris breaks down the final key of B.

7:30 Runtime

3.0 Difficulty

Week 6: Language of Chords

In this final lesson, Chris teaches how to put a name to the face of all the different chord shapes you have created in the past 5 lessons.

12:06 Runtime

3.0 Difficulty

Jekyll and Hyde Blues

Blues is easy to play, but hard to master. Chris Liepe's mission in this series is to get you to master the blues.

Introduction to the Jekyll and Hyde Blues

In this lesson, Chris Liepe introduces the "Jekyll and Hyde Blues." This is a 3 minute long blues guitar solo that incorporates techniques and lines from the blues greats. Chris breaks down the solo lick by lick.

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Section 1 - String Raking, Muting, and a Pentatonic Line

Chris teaches the first section of this epic blues solo. This portion features string raking, muting, and a simple pentatonic line.

3:40 Runtime

3.0 Difficulty

Section 2 - Call and Answer

Chris teaches the second section of the solo. This section features sort of call and response and also incorporates more bending, rakes and muting in a higher register.

4:31 Runtime

2.5 Difficulty

Section 3 - A Flavored E Chord

Based on an open “E” chord, this familiar sounding lick comes way down in dynamics and in range.

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Section 4 - Crash on the E

Chris teaches the fourth lick in this solo. It is a dominant line that is played the same over both the V and IV chords just before the turnaround.

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Section 5 - The First Turnaround

This is one of the most familiar sounding licks in the entire pack. Chris teaches this classic turnaround and demonstrates how it can be used in the context of a blues solo.

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Section 6 - Time for Some Lovin'

We really turn into the “nice guy” on this one! It starts with a subtle sweep/rake followed by some whispering bends. Then, you get to walk up with some clean 6th intervals and back down with some octaves. Get the other fingers on your pick hand ready for some hybrid picking. It makes the back half of this lick sound all the more lullaby-like.

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Section 7 - Chipmunk Bite

This lick has bite! This lick remains soft for the most part, but has a few notes that really jump out dynamically. The beginning of the lick really nails the minor 3rd, but at the end, it rests on a nice major 3rd. Strategically using the minor/major 3rd interplay really creates some nice ear candy.

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Section 8 - Keep It Fast and Quiet

Play one more quiet lick before we crank the gain back up. Incorporate some fast triplets, palm muted legato notes, and a smooth slide down to E. Then, you’ll reach for your volume knob!

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Section 9 - Messes and Megaphones

Bring back the bends and the loudness! This lick is designed to lead to another lick with a bit more resolve. It’s written to be messy.

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Section 10 - Play It in the 60's

It's time to bend the first string up to an E! Milk it for all it’s worth. The rest features a bendy journey down the Em pentatonic scale and a Hendrix-influenced trill with a twist. If you have a whammy bar, hit it a few times while you’re playing the trill. It’ll create a nice distressed sound.

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Section 11 - Do You Like Your Guitar?

If you like abusing your guitar, you’ll like this lick. It features loud, open string double stops, slides, and a long bend that ends with you hitting your guitar to create a percussive and abrupt stop!

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Section 12 - Playful Thirds

Time to return to nice playing. The use of staccato when playing quietly makes for a playful, controlled sound. Pay special attention to note durations on this one. In order to nail the crescendo at the end, you’ll need to inch your volume knob up just before you start the line. Take care to play extra quietly so you don’t jump too abruptly in dynamics.

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Section 13 - Woah!

This lick only works if you play behind the beat. There are not many notes here, but each one counts. Using the whammy bar takes the listener to a modern instrumental rock place just for a second before being reminded once again that he/she is indeed listening to the blues.

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Section 14 - Play Like a Singer #1

Chris focuses on playing melodic lines that mimic vocals.

2:42 Runtime

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Section 15 - Descending Blues Scale Run

It's time to spend some time with the b5. This lick features lots of legato with some strategically picked notes that give this descent a free flowing sound.

2:35 Runtime

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Section 16 - Pedal Tones and Pull-offs

It's time for some more pedal tones! By taking the same pull-off feel, but slowing it down and using the ‘B’ string as a pedal tone, we’re able to walk up to a higher register unison bend.

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Section 17 - Sleepy Octaves

The hook returns in plain form, this time in a quiet octave line. String muting is important here to generate the desired effect of sneaking around the guitar while tipping one's hat to the melody.

4:48 Runtime

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Section 18 - The Ultimate Blues Trill

Chris Liepe teaches an epic blues trill!

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Section 19 - Play Like a Singer Sings #2

Chris teaches another passage that features of vocal-like guitar playing.

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Section 20 - Slur the Notes

This section of the guitar solo is fast and features strategic use of slurs.

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Section 21 - Call Again

We return to the opening melody once again. It’s like we’re coming home now. There are a few key variations from the original, but the point is to exit the guitar solo and bring in the song's end. It can’t go on forever, right?

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Section 22 - Another Answer

You don’t have to bend up a perfect 4th this time, but you do have a few more notes to worry about. You also have the opportunity to mimic a slide guitar player after you hit the highest note of the lick.

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Section 23 - Chokes and a Sneaky Chord

In this lick the choked notes return. We contrast them with dominant chord arpeggios played very quietly.

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Section 24 - Repeating Open String Blues

This lick features bends, open strings, and a lot of pull-offs. This revolving line draws from Jimmy Page influences and is the perfect highlight to transition to the final chords of the song.

3:26 Runtime

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Section 25 - The Final Chords

Chris teaches the final section of the "Jekyll and Hide Blues."

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Instrumental Melodic Rock Solo

Learn an entire guitar solo inspired by such greats as Joe Satriani and Steve Vai.

Introduction

Chris Liepe introduces the lesson series. In this series you will learn an amazing melodic rock guitar solo one lick at a time.

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Section 1 - Muted, Docile Lydian Hook

Chris teaches the first lick of his instrumental melodic rock guitar solo. This verse hook grounds the listener with repetition. The subdued nature of the line leaves plenty of lift for the coming transition to the chorus.

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2.5 Difficulty

Section 2 - High and Low Lydian Sequence

Inch your volume knob up just a tad, but let the clean tone of the guitar shine through on these Satriani-inspired bursts of speed. Inserting runs like these into calmer sections of a passage help prepare the listener for energy that presents itself later in the song.

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Section 3 - Chorus Hook and Alternating 6-b7

This is the second and primary hook of the song. It is joined with a repetitive call and answer lick.

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Section 4 - Descending Arpeggio

This lick is the first of two speedy and articulate descending lines.

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Section 5 - Behind the Beat Bending

Inspired by the simplicity found in the playing of classic artists like Chuck Berry, this bendy line illustrates the power of intentionally pulling back within the beat to make the notes stand for more than they are worth.

4:50 Runtime

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Section 6 - Moving to Dorian

Chris teaches a lick that temporarily modulations into Dorian. The lick is descending and is played with alternate picking.

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Section 7 - Slow Staccato to Fast Legato

In this section the lick returns to Mixolydian with a slow staccato passage that ends up as fast legato.

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Section 8 - Lydian 6ths

Chris Liepe teaches a lick that uses 6th intervals. In addition to learning the exact solo lick, you’ll learn a few cool ways to navigate the neck with 6ths.

4:57 Runtime

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Section 9 - Three Note Slurs

Just like with the first verse, sudden bursts of Lydian speed help move us down the road. The power of this passage is in the pauses and the way certain notes are emphasized.

5:54 Runtime

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Section 10 - 16th Note Triplet Build to Chorus

Chris Liepe teaches a lick that features triplets, alternate picking, palm muting, and rhythmic repetition.

5:53 Runtime

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Section 11 - Hardly Picking Legato Descent

Chris teaches a blistering, descending legato lick inspired by Steve Vai.

9:44 Runtime

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Section 12 - Pick Tapping

This lick features some tapping with the blunt edge of the pick.

5:42 Runtime

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Section 13 - Country G Pedal Tone

Chris teaches a lick that utilizes pedal tones.

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Section 14 - The Final Ascent and Bend

This lick combines good legato speed with accented, alternate picking. It is a perfect example of how rhythm, speed, and register work to build energy.

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Progressive Rock Solo

Learn a full progressive rock solo lick by lick in this series of lessons.

Series Introduction

Chris Liepe introduces his new series that showcases a full, fast-paced progressive rock solo. You will learn the solo lick by lick, as well as some great skills and techniques along the way.

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Section 1: Solo Beginning

Chris begins with the first lick in the solo. With a mini melody that pulls you right in, this lick is almost more of an introduction to the solo. While learning this lick, Chris encourages you to pay extra attention to how each note is played.

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Section 2: Introduction to Melody

Chris gets started on the primary melody. While the melody spans the whole solo, this lesson just focuses on the first part. This lick is derived from the C# minor pentatonic scale.

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Section 3: Melody Lick

Chris looks at the next section of the solo. This lick fits perfectly with the main melody. It provides a smooth transition and added excitement. Chris looks at the notes can be added to the minor pentatonic scale for a more natural minor feel.

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Section 4: Sweeping

Chris dives into the next section of the progressive rock solo. This time, the focus is on sweeping. This section of the solo adds speed and kicks the energy level up a notch.

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Section 5: Sweeping Part 2

Chris demonstrates a lick that will give you more practice with sweep picking. Though this lick is not in the solo, some of the positions are.

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Section 6: Sweeping Part 3

Chris takes a look at one more sweep picking lick that is not in the solo. Like the first sweeping lick, this one is very fusion in nature.

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Section 7: Unison Bend

Chris dives back into the solo. This time he offers up a lick with a fun unison bend. This lick is based in the C# minor scale.

6:08 Runtime

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Section 8: Chromatic Alternate Picking

Chris continues with lick 8 of this progressive rock solo. This time, you will play fast chromatic lines with alternate picking.

5:11 Runtime

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Section 9: Pentatonic Sequence

Chris takes another break from the solo. This time, he looks at a pentatonic sequence that is reminiscent of something Jimmy Page might do.

6:48 Runtime

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Section 10: Octave Higher

In this lesson, Chris looks at the melody of the solo in a higher octave. Playing in a different fretboard position/a different range might help open up some new ideas.

4:03 Runtime

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Section 11: Ending Lick

Chris finishes out the progressive rock solo with a fairly simple tapping lick.

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Section 12: Tapping

Although you finished the solo in the last lesson, Chris offers up one more tapping lick for your enjoyment.

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2.5 Difficulty

The Bitter Blues

Blues is easy to play, but hard to master. Chris Liepe's mission in the Bitter Blues, is to make you a master.

Introduction to the Bitter Blues

Chris Liepe introduces "The Bitter Blues," a unique blues composition inspired by Led Zeppelin and Jimmy Page. In this intro segment, Chris talks about how the song will be taught.

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2.5 Difficulty

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Full Song Demonstration

Chris Liepe demonstrates the entire song from start to finish. This will help you master the phrasing of the individual licks.

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3.5 Difficulty

Lick 1 : The First Tear

From the first note and the first bend, the mournful whisper of the guitar sets the stage for the tumultuous conversation between voice and strings. Bend slowly.

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Lick 2 : Drag Your Feet

You’re holding back. You know what you want to say but you’re tiptoeing around it. Finally, the definitive resolve comes at end of the sentence. Play it like you’d speak it.

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Lick 3 : Speak Slowly

There is much more resolve in this statement. What might the guitar be saying now? From the pregnant pause in the middle, to the reaching, slow-to-arrive bend, there’s a lot of phrasing to study here.

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Lick 4 : Speak Firmly

The frustration comes out in this lick! After a few phrases that tread lightly, this statement is just put out there. Strike that double stop! Lash out a bit with your playing.

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2.5 Difficulty

Lick 5 : An Early Apology

Perhaps too much was said in the last lick...and a bit too forcefully at that. How about this soothing minor chord and some soft whining bends as an attempt to make amends? Get your pick hand fingers involved and think about the contrast with passage 4.

3:20 Runtime

3.0 Difficulty

Lick 6 : I Meant That!

It’s hard to hide true feelings. Opening up for the first time can be messy. Think less about the tempo and more about the ending notes for each phrase in this passage, particularly the last bend. Get the bar involved.

4:28 Runtime

3.0 Difficulty

Lick 7 - The List of Hurtful Things

With each held note, it's as if there are offenses being moaned out. Give it all you’ve got here without getting ahead of yourself. Play slowly and fiercely.

4:30 Runtime

3.0 Difficulty

Lick 8 - A Calculated Transition

Finish the rant and say all the words you feel you need to before taking some time to listen and react. This first guitar solo has come to an end, and now it's time to connect with the vocalist. Practice active listening. React emotionally and intelligently.

5:46 Runtime

3.0 Difficulty

Lick 9 - Affirming the Listening Ear

You’re not restating anything yet, just making it clear that you’re now here to listen. Fill the hole quietly and retreat.

2:45 Runtime

3.0 Difficulty

Lick 10 - Uh Huh

You’re about to get an earful of notes, so brace yourself and keep it brief. Just let it be known that you’re still tracking. Control and precision with harmonics and bar bending are needed.

7:53 Runtime

2.5 Difficulty

Lick 11 - On the Same Page

Follow every nuance of the voice as closely as you can. Match the pitch, the inflection, the pitch bend, and the dynamics. One of the best ways to learn phrasing is to practice copying other instruments.

4:19 Runtime

3.0 Difficulty

Lick 12 - The Role of Accompanying

In this guitar/vocal duet, you must make direct statements, and you must learn to dance while partially being in the background as an accompanist. This is the first of many opportunities to do just that.

3:07 Runtime

3.0 Difficulty

Lick 13 - On the Defensive

Now you’re being lashed out at. Loud inquisitions are being blasted at you. You’ll react strongly at first and then calmly as if to say that you don’t really need to defend yourself after all. Instead, you just need to be present and equally interesting.

2:39 Runtime

3.5 Difficulty

Lick 14 - The Shouting Match

This is another opportunity to copy the phrasing of the vocalist. This time, you get to do it while shouting instead of talking under your breath. Study the nuances of the voice!

4:16 Runtime

3.0 Difficulty

Lick 15 - Are We Really Listening?

The flurry of notes seems to suggest that hands are being thrown up and walls are being built at this point in the argument. Don’t let the need for subtle speed take away from the following accompanist role.

4:16 Runtime

3.0 Difficulty

Lick 16 - Fall Back

You’re still here, but you're licking some wounds and finding comfort and camaraderie in the rhythm section. It's time to play some arpeggiated chords and fill holes in a very subtle way.

4:14 Runtime

3.0 Difficulty

Lick 17 - Pacing Back and Forth

The rhythm playing and intensity grows and the unsettling octave line paints a picture of someone pacing back and forth as guilt trip from the vocals continues. Listen to your band! They are your support and your context!

2:45 Runtime

3.0 Difficulty

Lick 18 - Now It's Your Turn

You’ve heard the singer’s side, had a little time to form your thoughts, and now it’s your turn to lay it all out. You start slowly and gracefully while paying attention to every statement you make. The smallest detail counts and makes a difference in terms of how you are heard by your friends and opposers alike.

4:04 Runtime

3.0 Difficulty

Lick 19 - New Thoughts

You offer a new angle and a new thought. Many times in arguments we end up going around in circles unless new ideas are brought to the forefront. How about a little harmonic minor?

2:45 Runtime

3.0 Difficulty

Lick 20 - A Long Night

There’s a lot that could be said, but choosing your words carefully is more important than simply speaking your mind. The more care you put into your words, the more likely you are to be heard.

3:16 Runtime

2.5 Difficulty

Lick 21 - There Still Feelings

As if to reach out for affection, you cry out repeatedly to make sure you are understood. Make those high notes weep! Demand a strong reaction!

4:52 Runtime

3.0 Difficulty

Lick 22 - Say What You Mean

This could be a flurry of frustration, a jumbled thought in the midst of what you thought was clarity or just a passionate phrase describing your feelings in the most intense way you know how. Precision and aggression are needed.

3:39 Runtime

3.0 Difficulty

Lick 23 - Reveal Yourself

These are the boldest and most soaring notes to be played yet! It’s as if you are saying how you REALLY feel and showing your true colors in this mess of an ordeal. Let It Sing!

3:10 Runtime

3.0 Difficulty

Lick 24 - Don't Back Down

As emotions run high and the anticipation of some sort of true resolution is almost too much to take, you need to keep the tension and wait to see some more effort from the other side. This passage is asymmetrical, and the timing can be difficult. Practice slow, but know that it really only has true impact at full speed.

4:55 Runtime

3.0 Difficulty

Lick 25 - Just You and Me

The back and forth continues, but this time it’s without the band. It seems that there really are some deep roots in this relationship. There’s screaming and there’s whispering. Make sure the difference is felt and heard.

3:58 Runtime

3.0 Difficulty

Lick 26 - We Are One

Be one with the vocalist one last time. Translate the brokenness in the vocal sound into intentionally messy unison bends. Match the vocal timing exactly.

3:23 Runtime

3.0 Difficulty

Lick 27 - We're Both Steaming Now

You're accompanying now, but you are not backing down. You’re fuming. Your energy is almost too much to contain, yet you translate that to the guitar by playing aggressive, in-the-pocket chords!

4:00 Runtime

3.0 Difficulty

Lick 28 - Pretty and Ugly

The dissonance with the band and the vocalist seems to suggest that the situation may be falling apart. Now the relationships with others could suffer too. Playing the established and familiar hooks over a more shifty bed is a good way to create more tension.

3:54 Runtime

3.0 Difficulty

Lick 29 - I’m Not Finished Yet

You’re both left panting. You’re partially gasping for air and partially grasping for one another. This final run sets up the last attempt to bring closure to this melancholy musical exchange between the two musicians.

4:08 Runtime

3.0 Difficulty

Lick 30 - One Last Attempt

You get one last chance to soar, but you don’t get the final words. Many times, how you choose to end things is the most important part of something that was meant to be beautiful.

4:14 Runtime

3.0 Difficulty

Style of Modern Worship Guitar

Modern church/worship music pulls from all sorts of genres. You'll hear a lot of Rock/Pop influence, some Punk riffs, and even the Nashville Country sound from time to time. As guitar playing has become more prominent in the church and more instrumentalists step up to lead their congregation, the culmination of these genres has created a recognizable and specific style of guitar playing. This series deals with concepts and techniques and sounds that make up the style of modern worship guitar. Perhaps the most unique aspect of this type of playing is the way that simple parts with specific effects are layered together to form very atmospheric and layered soundscapes. We'll not only look at the playing, but we'll dissect tones and patches to provide the tools necessary to create that modern worship guitar playing sound. We also deal with typical roles that each guitarist might assume in a band setting so that all the pieces to the puzzle fit the way the need to... So the band moves as one unit, and the music is tight and textured!

Modern Worship Guitar Introduction

Produce the sounds that have made modern church/worship music what it is today. Learn how to craft minimalist guitar sounds, find your place in the mix of other instrumentalists, and dial in your tone and effects! Look at the styles of Hillsong United, Jesus Culture, Third Day, Lincoln Brewster and more!

4:35 Runtime

0.5 Difficulty

Role of the Acoustic, Part 1

We all must know our place in the band. We must know how to play for the good of the whole. By being a "backbone player," you'll create an unstoppable tightness that will allow each instrument to perfectly fill their role in the sound!

12:46 Runtime

2.0 Difficulty

View this Lesson

Role of the Acoustic, Part 2

Here, we take a look at the rest of the "CAGED" keys and discuss more ways to fluidly move between basic chords in a progression while maintaining that 'backbone' acoustic rhythm style.

15:46 Runtime

2.0 Difficulty

CAGED & Capos

Learn to think of each of the standard "CAGED" keys as positions rather than groups of chords tied to a specific key. Tie these positions to the number system, and you're golden!

15:28 Runtime

2.5 Difficulty

Mini Chords & Leads, Block 1

Simple leads and tasty rhythm playing are often built from two string repeating phrases that loosely follow the chord progression of a worship song. We'll look at 3 blocks in total. Start with block 1 and see how you can relate it back to some worship songs you know.

6:38 Runtime

2.0 Difficulty

Mini Chords & Leads, Block 2

Move up the neck and tap into more range and an even more familiar sound. Combine blocks 1 and 2 for variety. Keep the rhythms slow and simple, add some effects, and you're off!

9:02 Runtime

2.0 Difficulty

Mini Chords & Leads, Block 3

We move to an even higher register in this lesson. There are nearly infinite possibilities when you expand on the concepts of forming little block positions around common chord progressions. Let your creativity soar!

8:25 Runtime

0.0 Difficulty

Effects Primer

Learn how to dial in reverb and delay effects for that signature dreamy, minimalistic sound. Get actual knob settings and perspective on when and how to use certain effects.

12:18 Runtime

0.0 Difficulty

Let Delay Do the Work

Dissect the playing and effects in this simple, arpeggio line with a 1/8D delay. Practice this Hillsong United-inspired part with the other guitars, or by itself with the included backing track.

8:08 Runtime

2.0 Difficulty

Texture in the Background

Turn up the FX a little more, warm up that picking hand and get ready to add some serious texture to the mix! Don't go too crazy though! You still want to be listening to what the rest of your band is doing so you all gel!

8:07 Runtime

0.0 Difficulty

Texture in the Foreground

If there was a guitar solo in this mix, this would be it, I suppose. This is the most 'out front' part and has the greatest sense of melody. Played with the other two parts, it completes this sound environment nicely! Have fun!

7:27 Runtime

2.5 Difficulty

Give Your Rhythm Guitar Space

With three guitars all playing rhythm parts, you have to know that what you are playing compliments what the other guys are doing. This first part looks at intentional, simple rhythm playing that fills its own space in the mix.

6:13 Runtime

1.5 Difficulty

Melody & Counter Rhythm

There's an element of lead guitar playing in this part, but in many ways, it is the counter rhythm to the part learned in the last lesson. Listen to how the two electric parts push and pull at each other, particularly in the "B" section.

5:52 Runtime

2.0 Difficulty

Space, Pocket & Three Guitars

...And then there's the acoustic. As with the two electric guitar parts, pay careful attention to how the intentional strum pattern fills its own unique corner in the overall mix. Take this example and apply it to any chord progression you choose!

4:19 Runtime

0.0 Difficulty

Close the Wah & Play the Riff

When it is layered among the other guitar tracks, this line almost sounds like any other standard rhythm part, but it's not! It is a moving riff that, though dry, uses a static wah sound to lay back in the mix.

5:19 Runtime

1.5 Difficulty

Overdrive & Simple Ideas

It's the refrain of this series: simple, catchy and well placed lines that work in harmony with each other make this world go 'round. In this lesson, we literally provide harmony to the line from the previous lesson, even though it doesn't move with it.

5:45 Runtime

1.5 Difficulty

Be the Rhythm

The acoustic guitar propels the groove forward in this example. Practice being precise with your strum patterns and be very conscious of how you are strumming in relation to the other instruments.

3:06 Runtime

1.5 Difficulty

Electric Rhythm Foundation

With a progressive sounding track like this, you need that chunky rhythm foundation. Strategically adding quirks and taste to this part, while listening to the other parts is going to make everything a bit more interesting.

7:20 Runtime

2.0 Difficulty

Dotted Delay and Rhythm Guitar

Crank up the delay and get in the groove. Let the revolving rhythm of the delay carry you as you sneak in tasty morsels between the repeats. Have fun!

7:37 Runtime

2.5 Difficulty

And Finally... A Guitar Solo

Yes! Now we get to learn a full guitar solo in the style of one of the greatest guitar players to contribute to modern worship guitar. Learn a concrete example of developing a theme, inserting licks, and returning to a modified version of your theme.

10:58 Runtime

3.5 Difficulty

Surf Guitar

Study the ideas and techniques of surf artists like Dick Dale, The Ventures and more!

What Is Surf Guitar?

What do you need to know to play surf guitar? What styles of music does surf draw from? How has surf music influenced other styles? How does technique play into playing in this genre? Answers to all of these questions and more are in this series! Dig in and have fun!

3:05 Runtime

0.5 Difficulty

View this Lesson

Surf & The Blues

If you know the blues, the song forms and chord progressions in surf music are going to make a lot of sense to you. If you are not that familiar with the blues, that's ok! We go over the similarities in this lesson and so you can learn about two different genres at the same time!

13:15 Runtime

1.5 Difficulty

Surfin' & Strummin'

Starting with some of the background layers that are present in some surf songs, you'll learn about two different ways to approach the guitar in a rhythmic context similar to a track performed by the Ventures.

12:19 Runtime

2.0 Difficulty

Ice That Arm

Fast alternate picking with thick spring reverb and strange sounding scales is the first sound people think of when someone mentions surf guitar. This lesson breaks down the alternate picking component of that sound.

15:34 Runtime

3.0 Difficulty

Make It A Double Harmonic

That classic "Miserlou" sound that seems both haunting and enchanting is explained and broken down in this lesson with a scale that most people never even think to learn. It's called the Double Harmonic scale.

10:46 Runtime

2.0 Difficulty

Bring It Home To E

Take what you learned about the double harmonic scale in the key of C from the last lesson and apply it to the good old open E. Practice it on the low E and the high E with a click track and with the backing track! Get familiar with the sound and try writing your own melody or hook.

8:23 Runtime

2.0 Difficulty

Style of Tom Morello

This Series will dive into the world of Tom Morello, Demonstrating how he accomplishes his very unique sound.

Style Of Tom Morello: Song Introduction

Chris Liepe introduces his "Style of Tom Morello" Series with an original song that utilizes key aspects of Tom's playing. This song serves as a preview to the rhythm and lead guitar techniques that will be taught throughout this series. In the mean time, enjoy a bit of entertainment and get ready!

5:01 Runtime

3.0 Difficulty

Tom Morello: Writing Tools

Chris Liepe discusses one of Tom Morello's primary writing tools - the minor pentatonic scale. First, Chris demonstrates the five patterns of the pentatonic scale. Then, he shares a few ideas that will help you create your own Tom Morello style riffs within this scale.

18:35 Runtime

3.0 Difficulty

Morello: 3 Note per String Soloing

Chris Liepe looks into the fundamentals of Tom Morello's lead guitar style. Tom frequently plays fluid legato licks in his solos. Many of these legato lines utilize scale patterns that contain three notes on each string. Chris provides some examples of legato lines to get your soloing juices flowing.

19:49 Runtime

3.5 Difficulty

Gear and Effects

A key aspect of Tom's playing is his unique use of effects. His effects setup is rather minimalistic. However, he uses effects in combination with conventional and non conventional guitar techniques to generate a large pallet of tonal colors. In this lesson, Chris Liepe takes a look at some of the tools Tom uses to create his signature sounds.

24:02 Runtime

2.5 Difficulty

View this Lesson

Unconventional Techniques

Chris Liepe demonstrates how Tom Morello combines scale ideas, melodic phrasing and strategic effects to create unconventional guitar sounds.

18:02 Runtime

3.0 Difficulty

Structure of a Morello Style Song

Chris Liepe breaks down the structural form of a typical song written by Tom Morello. He explains how choruses can be used as emotional highs as well as where Tom may enhance the drama of a song by using effects.

7:31 Runtime

1.5 Difficulty

They Got It All

Chris Liepe teaches a Tom Morello inspired song entitled "They Got It All." This song utilizes all of the techniques taught in the previous lessons within this series. Here, Chris demonstrates his own interpretations of Morello's style. In addition, he provides insight into how you can create your own Morello style sounds.

68:45 Runtime

4.0 Difficulty

Style of Steve Vai

Take a look at this series to learn many different tips and techniques to the Style of Steve Vai.

Steve Vai Series Introduction

Chris Liepe takes moment to introduce his lesson series on Steve Vai. He demonstrates a Vai-like instrumental and explains what the following lessons will cover. For now, just sit back and enjoy Chris Liepe's take on the sounds of Steve Vai!

2:47 Runtime

0.5 Difficulty

Steve Vai Playing Techniques

Chris kicks off this lesson series with an in depth look at many different techniques Vai uses in his playing. From rhythmic moving 5ths, legato variations, interval sliding to multi-string tapping techniques, it's all taught right here.

36:49 Runtime

4.0 Difficulty

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Melodic Invention/Technique

Chris Liepe introduces his third Vai lesson with a deep explanation in creating Vai-like melodies. Covering techniques and some "inventing" concepts, Chris presents many different ideas for you to add to your Steve Vai toolbox.

32:32 Runtime

4.0 Difficulty

Vai Licks and Riffs

Chris presents an information packed lesson on many different Vai-inspired guitar licks and riffs.

24:59 Runtime

4.0 Difficulty

Rhythm Techniques

Time to get some Vai-inspired rhythm into your playing! Chris jumps into some power chords, clean rhythms, and everything in between to help demonstrate the unique sound of Vai.

12:59 Runtime

0.5 Difficulty

Guitar Effects

Chris Liepe explains how Steve Vai achieves his unique tone.

20:05 Runtime

3.0 Difficulty

Central Lick Idea

Chris Liepe rounds out this Steve Vai Series with a concept called the "central lick idea." This idea can be used to explore new solo possibilities around a central thematic idea.

8:57 Runtime

4.0 Difficulty

Style of The Edge

Chris Liepe breaks down the electric guitar stylings of U2 guitarist "The Edge." This lick based series covers delay, playing techniques and arrangement that gives The Edge his signature sound.

Style of The Edge Introduction

Chris Liepe is back with a new In the Style of series! This time he's taking a look at U2 guitarist "The Edge." In this lick based series, Chris discusses the use of delay, layering and arrangement that help create The Edge's signature sound.

4:25 Runtime

0.0 Difficulty

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Determining Delay

In this lesson of the Style of The Edge series, Chris discusses the types of delay that The Edge uses and how to setup those delays yourself. You'll need to setup several for the lessons to come.

7:04 Runtime

2.0 Difficulty

Playing With A Dotted Eighth Delay

In lesson 3 of this series, Chris teaches the first lick of the song you'll be learning. This lick is focused on getting you playing with the delay. Specifically playing the pocket of a dotted eighth delay. This type of sound is highly characteristic of U2 and The Edge's playing.

11:02 Runtime

2.5 Difficulty

Repeated Figures

Lesson four of this series is all about using repeated figures with the delay. In this lesson Chris demonstrates a lick that is repeated through the tune you're learning. Played with the delay, this helps create a layered effect that is common with many U2 songs.

8:40 Runtime

2.0 Difficulty

The E-Bow

In this lesson of his Style of The Edge series, Chris Liepe discusses the use of an E-bow. This accessory helps guitarists like The Edge create pad like elements that thicken and round out the sound of a track.

11:44 Runtime

2.0 Difficulty

Creating A Sixteenth Note Feel

Lesson 6 of this series is all about using straight eighth note patterns to create a sixteenth note feel with the delay.

6:05 Runtime

2.0 Difficulty

Bass Line Doubling

In this lesson, Chris introduces the straight eighth note delay and the common practice of double the bass part of a track.

6:38 Runtime

2.0 Difficulty

Layering

In this "Style of The Edge" lesson, Chris Liepe introduces the tremolo effect. He also discusses the layering of parts that you've learned in the past several lessons.

8:15 Runtime

2.0 Difficulty

Strumming

Chris is back with another look at layered elements. In this lesson you're going to be adding a layered element using basic strumming. Chris discusses how layering helps to fill out a broad spectrum of sound.

8:02 Runtime

2.0 Difficulty

Lead Elements

So far in this series, Chris has mainly discussed rhythmic elements that make up The Edge's playing. Now it's time to start taking a look at a bit of lead playing. By making a few small tweaks to your tone and by combining pentatonic scale knowledge, you can create effective lead lines that require only basic technical ability.

5:52 Runtime

2.5 Difficulty

Adding the Major 7th

In lesson 11 of this series, Chris borrows from the previous lesson. Specifically you'll be taking a look at adding the major 7th to the minor pentatonic scale.

4:57 Runtime

2.5 Difficulty

Low Melodic Triads

In lesson 12, Chris takes a look at playing triadic arpeggios with a dotted eighth note delay.

5:19 Runtime

2.5 Difficulty

High Melodic Triads

Chris Liepe continues to build on the concept of a straight eighth played against a dotted eighth delay. In this lesson, you'll take a look at triads arpeggiated in a higher register.

5:00 Runtime

2.5 Difficulty

Soloing Part 1

Now that you have a completely layered track, it's time to start thinking in terms of a solo. Chris gets you going with the first lick of the solo section.

6:11 Runtime

3.0 Difficulty

Soloing Part 2

It's time to take a look at the final solo passage. Things are getting more aggressive here as we work towards the tune's climax.

8:15 Runtime

3.0 Difficulty

Songs with Chris Liepe

Chris Liepe is an amazingly versatile player and teacher. With a background that includes professional recording and mixing, piano playing and guitar Chris brings a unique perspective to his lessons.

"Carol Of The Bells"

Mykola Dmytrovych Leontovych

Ladies and gentlemen of JamPlay, we are proud to introduce a new instructor by the name of Chris Liepe. Chris has masterfully crafted a wicked rendition of "Carol Of The Bells" for this lesson. Here he teaches the melody, some lead guitar ideas, and some crushing drop D riffs. Chris has brought a holiday classic to us worthy of 21st century play. Enjoy this one and rock your socks off this season!

25:00 Runtime

"Where Did You Sleep Last Night"

Chris Liepe

Chris brings his ingenuity to this lesson on the American folk song called "Where Did You Sleep Last Night?" Also known as "Black Girl" or "In The Pines," this song provides a great opportunity to add a rocking classic to your set list. This lesson also tests your ability to write a creative lead.

26:06 Runtime

"Heartbreak Hotel"

Elvis Presley

Chris Liepe teaches both the original version of "Heartbreak Hotel" by Elvis as well as his own improvised version.

65:44 Runtime

"Love Someone"

Chris Liepe

Chris Liepe brings forward this monster lesson on his original song entitled "Love Someone."

73:18 Runtime

"Inside Out"

Eve 6

Chris Liepe teaches the EVE 6 song "Inside Out." Here, Chris demonstrates every aspect of the song.

93:59 Runtime

"At Least We're Dreaming"

Eve 6

Chris presents an explosive and extensive lesson on the EVE 6 song entitled "At Least We're Dreaming." Here Chris covers the main guitar parts as well as the additional overdubs. Also included is an acoustic demonstration and a quick singing tutorial. Have fun!

54:22 Runtime

"Here's To The Night"

Eve 6

Chris Liepe breaks down "Here's To The Night" by Eve 6. Here, Chris uses the acoustic guitar to replace the orchestral sequencing featured in the original recording of the song.

57:06 Runtime

"Little Drummer Boy"

Chris Liepe

Imagine the music stylings of Switchfoot, Queen, and Audioslave all wrapped up into a timeless holiday favorite.

68:28 Runtime

"You've Got Another Thing Comin'"

Judas Priest

Chris Liepe breaks down this classic Judas Priest song.

61:01 Runtime

"Breaking The Law"

Judas Priest

Chris Liepe teaches a classic Judas Priest song entitled "Breaking The Law." Chris introduces this very catchy song in a way that is perfect for beginners. If it's your favorite song and you already know how to play it feel free to view the lesson for Chris' original additional lead licks.

39:17 Runtime

"I Hate Everything About You"

Three Days Grace

Welcome to Chris Liepe's demonstration of "I Hate Everything About You" by Three Days Grace! This is a fantastic beginner song that introduces drop D tuning.

43:14 Runtime

"Long Way Down"

Goo Goo Dolls

Chris Liepe takes an in depth look at the song "Long Way Down" by the Goo Goo Dolls. This song is a great example of how to write simple, powerful, guitar-driven songs like those that were very popular in the 90's alternative rock scene.

53:14 Runtime

"Living After Midnight"

Judas Priest

Chris Liepe demonstrates this fantastic 80's rock song entitled "Living After Midnight" by Judas Priest. This song has some great entry level information for anyone who is looking to step up his/her rock rhythm guitar playing.

34:54 Runtime

"1,2,3,4"

Plain White T's

Chris Liepe teaches this acoustic Plain White T's song simply titled "1,2,3,4". This is a simple song, however it offers a great opportunity to work with a second acoustic player to add layers and character to the overall song arrangement.

37:03 Runtime

"Hip To Be Square"

Huey Lewis and the News

Welcome to Chris Liepe's rendition of the song "Hip To Be Square" by Huey Lewis and the News! Chris utilizes this song to show how playing sax lines on guitar can result in a rockin' guitar solo. Enjoy!

51:50 Runtime

"You"

Candlebox

The song "You" by the artist Candlebox was released in 1994 and presents some very catchy rhythm parts as well as a wicked guitar solo that will allow a beginner player to get a taste of some intermediate guitar parts. Chris Liepe teaches this song in a fun and easy way to pick up.

56:54 Runtime

"Let it Go - Frozen"

Demi Lovato

Chris Liepe has created a very unique guitar rendition of the song "Let it Go" from the movie Frozen. This offers a great look into the world of adapting guitar like sounds into a song that was never originally written for guitar.

47:07 Runtime

Lick & Riff Library Entries

Our Lick & Riff Video Library can help you break out of your standard techniques, and can inspire your creativity to move your playing forward.

Title	Detail	Genre	Runtime
E Minor Pentatonic Blues Lick	Chris Liepe looks at a very typical blues style lick...	Blues Lead	3:45
Bluesy Chord Lick	Chris Liepe takes a look at another simple, chord-based...	Blues Lead	2:51
Scratchy Blues Lick	Chris Liepe takes a look at a simple classic blues...	Blues Lead	3:02
E Major I-IV-I Riff	Add this I-IV-I riff in E major to your arsenal!	Rock Lead	2:11
G Major Ascending 5ths Lick	This lick in G major begins with a sequence of ascending...	Rock Lead	3:01
High Country Blues in A	This country lick uses the A Mixolydian mode.	Blues Lead	2:49
Hybrid Picked 6ths in G Major	This lick features sixth intervals played with hybrid...	Rock Lead	3:41
Chuck Berry Tribute	Chris Liepe pays tribute to Chuck Berry and many other...	Blues Lead	5:04
E Major Pentatonic Lick	Chris teaches a classic blues lick within the E major...	Blues Lead	4:50
Walk Down Lick	Chris Liepe looks at a walk down lick played with hybrid...	Blues Lead	5:20
Blues Pentatonic Lick	Chris dives into another classic blues lick. Although...	Blues Lead	6:35
Lick with Dominant Chords	In his latest classic blues lick, Chris Liepe looks...	Blues Lead	5:43
Sixth Interval Blues Lick	Chris Liepe comes at you with a classic blues lick...	Blues Lead	3:11
Unison Bends Lick	In Chris Liepe's latest classic blues lick, he throws...	Blues Lead	3:58
Calm and Collected Lick	This classic blues lick takes a simple minor 3rd interval...	Blues Lead	3:03
Hendrix-inspired Lick	Chris Liepe takes a look at a classic blues lick inspired...	Blues Lead	6:58
Chordal Pentatonic Lick	Chris Liepe plays a classic blues lick that uses chords...	Blues Lead	4:06
Augmented Chord Lick	Chris Liepe plays a staccato idea in this classic blues...	Blues Lead	3:30
Playing Like Carlos Lick	Santana made these types of licks famous. Pick the...	Blues Lead	3:19
Bluesy Chromatic Lick	In this lick, the incessant bending and the moving...	Blues Lead	3:01
Slide Mimicking Lick	The notes in this one are played with a mild “choking”...	Blues Lead	4:16
Page-inspired Lick	This Jimmy Page-inspired lick features some challenging...	Blues Lead	3:50
Bends and Pull-offs Lick	This classic blues lick lets you trade off between...	Blues Lead	3:50
Instrumental Ending Lick	Played primarily with fingers instead of a pick, this...	Blues Lead	4:09
The Double Tap	This is one of the coolest and most rhythmic ways to...	Rock Lead	6:00
B Dorian Blues Lick	Chris Liepe opens his lick series with this quick blues...	Blues Lead	2:36
Double Stop B Dorian Blues Lick	Chris demonstrates a nice little double stop blues...	Blues Lead	2:22
F# Mixolydian Mini Sweep	F# Mixolydian Mini Sweep	Rock Lead	2:34
C Major Decending Line	This descending line features some chromaticism.	Rock Lead	3:28
Jazzy Lick with Major and Minor Sixths	This jazzy lick ends with a iv-I cadence.	Jazz Lead	3:51
Clean D Lydian Lick	Here's a clean D Lydian lick at a tempo of 120 bpm.	Rock Lead	4:09
Melodic Rock Lick Part 1	This is the first part of a monster rock lead taught...	Rock Lead	7:06
Melodic Rock Lick Part 2	Chris Liepe teaches the second part of his monster...	Rock Lead	4:46
Smooth, Very Smooth	Lay back into your quarter note delay and focus on...	Rock Lead	5:45
Eerie, Bendy Thing	Playing in a D major pentatonic box over a G major...	Rock Lead	4:12
Kiss Me in the Moonlight	We’re not sure which 80’s movie theme song this...	Rock Lead	6:02
Climbing Lydian	With open strings, a repeating pattern and a mournful...	Rock Lead	3:12
Le Gato	That first bend almost sounds like a cat’s meow....	Rock Lead	4:25
Traveling a Great Distance	Combine some fast slurs with some sweep picking. Hey,...	Rock Lead	4:01
Slide Away	This parallel pattern has a fair amount of alternate...	Rock Lead	5:40
Muted Delay Flurry	These fast legato phrases are played softly with a...	Rock Lead	5:08
Sweep it Up, Hammer-on Home	Okay, so there are some pull-offs here too. This lick...	Rock Lead	4:21
Two Chords over One	Now we have two sweeps and some legato playing that...	Rock Lead	3:02
Vai Some Time	Here's a descending legato line with sparse, yet planned...	Rock Lead	3:15
For the Love of the Guitar	We have another Vai-like lick here. This one utilizes...	Rock Lead	4:52
Wearing a Kilt	Do you like Scottish attire?...maybe just their music....	Rock Lead	4:06
Legato Training #1	Guitar exercises can be boring, but this ascending...	Rock Lead	4:52
Legato Training #2	This is similar to the idea presented in Legato Training...	Rock Lead	4:39
Cram it in There	One of the toughest things about fast legato playing...	Rock Lead	6:59
Picky On The Beat	The fast legato fall and rise in this lick is anchored...	Rock Lead	5:43
Give It The Finger	This is our first of many two-hand tap licks. It’s...	Rock Lead	4:03
Two Fingers Are Better Than One	You didn't think your picking hand was going to get...	Rock Lead	5:04
Slipping and Sliding	We have yet another act of acrobatics for the picking...	Rock Lead	4:14
All of the Above	Take the last three licks, add a few strings, and use...	Rock Lead	2:44
Two Patterns and Lots of Notes	This lick is a perfect example of looking at two different...	Rock Lead	6:13
Is It Really Just A Pentatonic Scale?	It sounds fancy, but it is not. Taking the same idea...	Rock Lead	7:03
How About Some Trills	Every long guitar solo needs a time-bending trill section....	Rock Lead	4:58
Small and Tasty Waterfalls	At this point in the series, we switch gears to a soothing...	Rock Lead	3:43
Is This The Beginning?	Again, this lick contains quick legato spurts amongst...	Rock Lead	4:35
Take a Little Break	This is the perfect lick to insert either before or...	Rock Lead	2:49
Go!	With a few changes made to be extra deliberate on the...	Rock Lead	4:52
A Perfect Follow Up	What better idea to play next than a slow, articulate...	Rock Lead	3:29
The Note to Replace the Note	Here, you’ll use a careful combo of slides and pull-offs...	Rock Lead	3:03
The Revolving Door	This series of notes is repeated over and over again,...	Rock Lead	4:37
Melodic Rock Lick Part 3	Part 3 of Chris Liepe's Melodic Rock Solo. Download...	Rock Lead	6:29
Melodic Rock Lick Part 4	Part 4 of Chris Liepe's Melodic Rock Solo. Download...	Rock Lead	6:24
Hopscotch for the Fingers	This repeating motif switches positions three times...	Rock Lead	4:34
Get Ready	With the next three licks, we build a fantastic legato...	Rock Lead	3:45
Get Set	You’ll be rolling up down and around the lower registers...	Rock Lead	2:58
Fast G Major Lick	This rapid idea is played out of the 12th position...	Rock Lead	2:34
G Major Tapping Lick	This lick is based on a four note per string, diatonic...	Rock Lead	3:45
B Blues Descending Legato Run	The left hand does most of the work in this B blues...	Blues Lead	2:37
E Minor Pentatonic Picking Lick	Here's an E minor pentatonic lick with some fast picking.	Rock Lead	3:12
Dm11 Sweep Lick	The 11th, G, is added to a D minor arpeggio.	Rock Lead	2:29

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